二次初恋

A |     本文来自微信公众号：今心与禾火，作者：今心与禾火，本文首发于2025年6月3日，头图来自：AI生成                    5月有几篇阅读量稍好的文章，做个非正式复盘：                              《高位买房的人，与自己和解了吗？》：目前阅读量2w+，初始阅读量只有一百多，流量在5月初突然增加，自我分析，大概是踩中了一点时代情绪，像我一样在高位买房的人不胜枚数，几年过去，同是天涯沦落人，大家都好奇，他人的人生有什么变化吗？                    《这个五一，钱都花在胖东来了》：阅读量不算高，但已经高于我此前发过的文章，大概也是借了一点顶流的话题性。    On Ram Navami, a festival that celebrates the birth of Lord Ram , the Navmi day of the chaitra Navratri and the enduring values of devotion and righteousness, Narendra Modi chose to share more than a customary greeting. His post featuring the devotional song “Maay Bhavani” brought a sense of spiritual depth to the occasion, reminding listeners of the quiet power of music rooted in faith.           The song, from the Marathi film Shahbaz Sunbai, belongs to a time when cinema and music were deeply intertwined with cultural and devotional expression. Its composition by Meena Mangeshkar Khadikar carries a sincerity that avoids excess, allowing the essence of devotion to take centre stage. In an era of fleeting soundscapes, such compositions stand apart for their stillness and emotional clarity.          It is, however, the voice of Lata Mangeshkar that celebrates “Maay Bhavani” into something timeless. Her music has long defined the emotional memory of India, moving effortlessly between romance, melancholy, and devotion. In songs of a spiritual nature, her voice often feels less like performance and more like prayer, marked by an almost meditative purity. This quality lends the composition a rare depth, making it especially fitting for a day like Ram Navami, where devotion is both personal and collective.          For authors Rachna Shah and Rhythm Wagholikar, the moment carried a deeply personal resonance. Responding to the Prime Minister’s post, they shared a note that captured both gratitude and memory, offering readers a glimpse into the story behind the song.           Their note is reproduced here in full:           ⸻           Dear friends,           It’s so heartwarming to see our honourable Prime Minister Shri. Narendra Modiji post a song on Maa Ambe - Maay Bhavani, on the auspicious day of Ram Navami.     The striking part is that this song is composed by my mother Meena Mangeshkar Khadikar and sung by my aunt Lata Mangeshkar..           We just chatted with Aai and told her regarding this post.     She shared an interesting behind-the-scene story.           This song was originally to be composed by Lata didi herself, however during those days, Didi was overwhelmed with the work load and couldn’t dedicate the time required.     So, she requested her sister Meena to step in and do the needful. Meena Mangeshkar Khadikar was an established composer and took charge and this composition took its birth…           This post by our beloved Prime Minister opened up a floodgate of beautiful memories and with our heartfelt sentiments we stand in gratitude.           Warm regards,     Rachana Rhythm           ⸻           What emerges from this reflection is a story of artistic trust and familial bond. The decision by Lata Mangeshkar to pass on the responsibility of composition to her sister reveals not just the pressures of her time, but also the quiet confidence she had in Meena Mangeshkar Khadikar’s musical sensibility. It is in such moments that enduring art often finds its form.           The Prime Minister’s gesture, therefore, does more than revive a song. It reconnects audiences with a legacy, one that spans generations and continues to shape India’s cultural identity. For Rachna Shah and Rhythm Wagholikar, it is a moment of remembrance and gratitude. For listeners, it is an invitation to rediscover a melody that carries both devotion and history within it.           Also Read: Sharda Sinha: A Voice That Became The Prayer of The Soil。

B | 这篇其实是游记，甚至更多在写信阳的山水和美食，此行我很喜欢河南，食物熨帖，人情质朴。                   《一个90后结婚5年的感受》：阅读量15w+，这篇完全意料之外，看到很多已婚或未婚姐妹的评论，也有人将留言区当小树洞，倾述完又悄然删去，一些留言我甚至未能看见。后来才知道，没有精选出来的留言，即便我回复对方也看不见。                   今时今日，心境已经完全不同，人甚至无法感同身受三年前的自己，更遑论他人。但也很确定，我们都会走出自己的情绪困局，幼崽一天天长大，会软软地说“妈妈我爱你”，好吃的总要留一份给妈妈，下班一开门就像小狗一样扑进怀里，还会提供“妈妈你今天真好看”的情绪价值。正是这些人生必经的历程，酿成了生命自愈的回甘。                             言归正传，这十几万的阅读量，最终为我带来多少收入呢？                    97.8元，有零有整。                             所以我写公众号这些年，单纯为爱发电。有收入是锦上添花，没有收入也不影响我忠实地记录生活。                   回看这些阅读量，也更加确信，真诚是永远的必杀技。

C |                    虽然收入不过百，但我看到了另一些更珍贵的数据——那篇写婚姻的长文，完读率是21%。意味着每5个点开的人里，就有1个人读完全文。                   单篇文章带来了1094位新朋友关注我的公众号；同时，公众号里其他“精选文章”的阅读量涨了600+，这大约说明，有600人因为推荐偶然点进这篇文章，看完产生了一点兴趣，又主动去公众号主页翻看了过去的文字。                   2025年发表的文章，平均阅读量上涨60+。推算下来，大约有60个人，将我2025年的文章看了一遍。

D |                              然后，一些更早以前的文章，开始零星收到新的点赞和评论。                   比如2019年1月写奶奶的《夜深忽梦》，有位姐妹留言说看哭了。写这篇文章的时候奶奶身体还健朗，第二年十月她就去了另一个世界。人总以为来日方长，其实很多告别猝不及防。                             三个月后我写了《世界上所有的夜晚》，“如果真的有另外一个世界存在，我会想象鬼怪中双男主出现救女主的画面，无尽黑暗里，聚光灯从背后照过来，偻着背步履蹒跚的老人走在前面，同样老态龙钟的贝贝跟在身后，人与狗一起温和地走进空旷与虚无。”                    还有2021年12月，记录生产过程的文章《生孩子到底有多痛》，这是分娩一周后忍着撕裂的痛、用手机一字一字敲出来的，写得一气呵成，字里行间笑中带泪，这是生命掷地有声的回响，提醒我曾如何经历疼痛，又如何被疼痛重塑。

E |                              生育之后几乎停更两年，疲于照顾高需求的幼崽，也陷在自己的情绪黑洞里不知人间日月长，后来开始记录大橙子的成长，每一岁都有惊喜。常看公众号的朋友，看着我心绪涨落，也看着大橙子从小婴儿长成小男孩模样。                             大量而频繁地记录生活，确实是我抵抗虚无和无意义的方式。                   写作忠于自己的感受，写眼见的真实和内心的波澜，它不取悦算法，甚至不期待回响。

F | 在一些不经意的时刻，能与未曾谋面的阅读者产生共鸣和联结，已经很欣喜。                   回看时，这些带着温度和情绪的诚实书写，已经矗立成生命里永恒的碑石，成为我抵抗遗忘、证明存在的唯一确证。                             本文来自微信公众号：今心与禾火，作者：今心与禾火。

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